Ulune

The third line of every gate, the Martyr, read in Human Design as learning by trial and error, finding what works by meeting what does not.

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Line 3 of the six lines of a hexagram, counted from the bottom.

Meaning

Line 3 is the top of the lower trigram, the place where the hexagram’s first half meets its second. Human Design calls it the Martyr. The name sounds heavy, but its theme is practical: learning by experiment, finding what works by running into what does not.

Where the third line is active, the tradition describes a life of trying. Plans meet reality early, and some of them break. Each break teaches something precise. Over time this builds a resilient, tested kind of knowledge that theory alone rarely gives.

Human Design is firm that the line’s mistakes are not failures of character. They are its method. Ulune puts it this way in the 1/3 profile: mistakes are part of the method, not a verdict. The third line is the one that can later explain why the other paths did not work.

The line may change course more often than others, trying and leaving jobs, places or bonds. The tradition reads this movement kindly, as discovery.

In practice

  • In a gate. A planet on the third line gives the gate’s theme a hands-on, experimental shade. The gate is learned by living it, bumps included. It is written after the gate number: 34.3 is gate 34, line 3.
  • In a profile. When the Personality Sun or the Design Sun stands on line 3, it becomes half of the profile. Four profiles hold it: 1/3, 3/5, 3/6 and 6/3.
  • Conscious or not. As the first number (3/5, 3/6), the experimenting is felt and chosen. As the second number (1/3, 6/3), it works in the Design: life keeps bringing tests, even to someone who prefers to prepare.
  • An everyday picture. Ulune’s own example: someone who tries several jobs before finding the right one, and can later say why the others failed.
  • The harmonic. Line 3 pairs with line 6, the top of the upper trigram. The sixth line spends its first phase living much like a third, experimenting, before it steps back. The 3/6 and 6/3 profiles join the pair.

Origin and history

The six places come from the I Ching, the Chinese Book of Changes, whose 64 hexagrams Human Design takes as its gates. Ra Uru Hu, who founded the system in 1987, gave each place a name and a theme of his own.

Classical reading saw the third place as a passage. It is the top of the lower trigram, on the edge of the upper one, and the old texts often find tension there. The Great Appendix, in Legge’s translation of 1882, says the occupant of the third place “meets with many misfortunes”.

Yet the same texts are not harsh about it. In the first hexagram, The Creative, Wilhelm’s third line shows a person creatively active all day and still full of cares at night. It ends “Danger. No blame.” Effort at an exposed place, and no fault in it: a fair summary of Human Design’s Martyr.

How Ulune calculates it

Ulune reads the line from the ecliptic longitude of each planet and each Node, at birth and at the Design moment. Its wheel starts with gate 41 at 302°, or 2° Aquarius. Each gate spans 5.625°, each line 0.9375°, or 0°56′15″.

Ulune subtracts 302° from the longitude and wraps the result into 0–360°. Divided by 5.625° and rounded down, it gives the gate’s place in the wheel. The remainder, divided by 0.9375° and rounded down, plus one, gives the line.

Line 3 is therefore the third 0.9375° of every gate, from 1.875° to 2.8125° into it, counted in the direction of the zodiac. In gate 41 it runs from 3°52′30″ to 4°48′45″ Aquarius. A longitude exactly on a boundary starts the next line.

The finer count used for the arrows always agrees with this line. The Earth, exactly 192 lines from the Sun, always shares its line. Without a birth time, the chart is cast at noon and every hour of the day. A line that changes in that span is marked ~.

Correspondences

CorrespondenceLine 3
NameMartyr
PlaceTop of the lower trigram
Harmonic lineLine 6
Profiles1/3, 3/5, 3/6, 6/3
Wilhelm’s headingIn the third place
Span in each gate1.875° to 2.8125°
  • LineOne of the six lines of each gate, the finer shade of its theme, written after the gate, so that 34.2 is gate 34, line 2.
  • Line 6 · Role ModelThe top line of every gate, the Role Model, read in Human Design as a life in three phases that ends by embodying what it has learned.
  • Line 1 · InvestigatorThe bottom line of every gate, the Investigator, read in Human Design as the need for a solid foundation before acting.
  • ProfileTwo numbers, the lines of the Personality Sun and the Design Sun, giving twelve profiles from 1/3 to 6/3.
  • GateOne of the bodygraph’s 64 gates, one for each hexagram of the I Ching and about 5.6° of the zodiac, coloured by a planet standing in it.

Sources

  • Ra Uru Hu and Lynda Bunnell, The Definitive Book of Human Design, 2011
  • Richard Wilhelm, I Ging, 1924; English translation by Cary F. Baynes, 1950
  • James Legge, The Yî King, 1882